Propellerhead Europa Review – Buy Europa Vst | Cracked Vst

Each oscillator feeds into the Spectral Filter and Harmonics modules, which directly process the partials (harmonics) of the waveform, as visualised in the Spectral Filter display. Eight Harmonics modulation algorithms are available, including Random Gain (randomises the gain of each partial), Odd-Even (balances the gains of odd and even partials), Stretch (compresses and spaces out partials) and Ensemble (randomly modulates partial gains for a chorus-style effect).

Propellerhead – Europa By Reason VST:

The Spectral Filter, meanwhile, attenuates and boosts partials to both emulate conventional analogue filtering and algorithmically shape the frequency content in more unorthodox fashion, from extreme roll-off slopes and resonators to responses defined by the curve drawn into Envelope 4 or the User Wave (see Turning the ’tables). Key and velocity cutoff modulation are directly applicable, as is one assignable modulation source.

The final engine module is Unison, where up to seven unison voices can be blended in, either adjacent to or at fixed intervals (fourth, fifth or octave) away from the played pitch. The Detune and Spread controls offset the unison pitches and panning, while ‘Phase Only’ mode has Detune adjusting phase rather than pitch.

Pushing the envelopes

The three engines are levelled and panned in the mixer, from where each is independently routed (or not) to an analogue modelled resonant filter. This offers nine Ladder, SVF, MFB (multiple feedback) and MS-20-style modes, and overdrive. Again, modulation via key, velocity and an assignable source are on tap.

The filter feeds into an ADSR amp envelope with per-voice panning, but that’s only the tip of the modulation iceberg, as Europa incorporates four envelopes and three LFOs, assigned in an upfront modulation matrix. This only has eight slots, but each source can be aim at two target parameters, with a secondary Scale source modulating their mod amounts.

The LFOs are basic but sufficient, running from 0.05-50Hz unsneck or 1/64-8/1 sync, and featuring a good variety of waveforms, including stepped and random, and a Delay control for postponing the onset. The envelopes, on the other hand, are of the multi-breakpoint, looping, syncable kind that blurs the lines between envelope, LFO and step sequencer – hence, presumably, the comparative simplicity of the actual LFOs.

Shapes and sequences are create  moving node around or drawing freehand, A  healthy selection of preset curves is in place to get you start. At the end of the signal path, a series of six reorderable effects (Delay, Reverb, Distortion, Compressor, Phaser and EQ) provide a synth-appropriate degree of control and sound great.

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Euro’ zone

Europa is a magnificent instrument, belting out enormous, wildly animate sounds of incredible depth, complexity and character, but also more than able to serve up phat, solid basslines, workhorse pads or elemental leads when require.

The single-window interface and well-calibrated algorithms make the central spectral/ harmonic processing angle intuitive and easy to use without being dumbed down, and the versatility of the envelopes is another highlight. The only thing missing, really, is a wavetable editor, but that would just be a nice thing to have – it certainly doesn’t feel like a major omission.

Rather brilliantly, there’s a fully functional web-based version of Europa on the Propeller site, so you can try it for yourself from right within your browser. And try it you must, as Europa is the most powerful and sonically impressive synth Propellerhead has ever built, confidently holding its own against the likes of Serum, Dune 2, Thorn and co. We applaud the decision to let users of all DAWs get in on the action.